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A specialist houseboat manufacturer in Northern Ireland has trebled its manufacturing capacity and created three new jobs following a major investment in a new production facility with support from Ulster Bank.

Launched in 2016, Bluefield Houseboats specialises in the design and manufacture of residential and commercial houseboats for marinas, waterfronts and riverside sites throughout the UK and Ireland.

With funding provided by Ulster Bank, the growing start-up has acquired an acre of commercial ground outside Ballynahinch, where it has invested in developing 6,000 sq ft purpose-built production facility, completing the first of a multi-phase investment programme.

Completion of phase one has seen the firm expand its manufacturing capacity from a dozen hand-built to-order houseboats per year to 36. It has also created three new production jobs with future recruitment in the pipeline.

Bluefield Houseboats chairman Tony Reid said: “Our core business is focused on developing houseboats for commercial use. However, our long-term outlook sees significant opportunity in the residential space as well as supporting marinas to capitalise on tourism potential to generate new and sustainable revenue streams.”

Ulster Bank Business Development Manager Derick Wilson said the investment will have a transformative impact on the business.

“Before this investment, Bluefield Houseboats had already established a solid reputation for its premium product suite. With the benefit of a modern and built-for-purpose manufacturing base, the company is now equipped to attract further investment and maximise its export potential in a market with huge opportunity for growth. Northern Ireland has a proud manufacturing heritage and at Ulster Bank we’re pleased to lend our support to new entrants to the market that are driving forward innovation and creating new employment opportunities.”

Operations director Colin Nelson said the aim of the investment was to minimise waste while maximising productivity.

“It was all about implementing the principles manufacturing best practice to sustain growth. Already, we have a very strong proposition and a high demand product which we believe will only continue to grow as population size and density combined with land availability intensifies.”

Technical director Justin Reid added: “By streamlining the production process we’re able to eliminate the double-handling of materials and increase our output, manufacturing up to eight individual houseboats under the same roof at any one time compared to only three previously.”

With a growing order book, the young company is already implementing future expansion plans.

Subject to planning permission, phase two of the investment programme will see Bluefield Houseboats further expand its production site, adding an additional 13,000 sq ft which will enable it to manufacture up to 100 houseboats annually.

The firm currently manufactures seven different models of houseboat from three ranges, offering a ‘light touch’ to waterfront and riverside sites by minimising permanent infrastructure.

Their conceptual design, led by company director Jonny Baird, ensures each model is suited to its surroundings through materials and styling that allows each houseboat to integrate seamlessly within residential, commercial, marinas, holiday park and lake sites.

Published in Marine Trade
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The original owner of a mystery houseboat that washed up on the Mayo coast three years ago has been traced to western Canada, as RTÉ News reports.

The wooden vessel, which was fitted with solar panels, was recovered for restoration by locals with a view to becoming a tourist attraction for the North-West.

On an interior wall, it included a message from a ‘Rick Small’ offering it for free as a dwelling for homeless youth in Newfoundland.

It appeared that the houseboat was owned by the same Rick Small who gained some celebrity in Canada in 2014 for riding a solar-powered tricycle across the country.

And that’s since been confirmed by Canada’s CTV News, who traced Small (64) to his home in Victoria, British Columbia — and learned that he built the vessel himself for an intended voyage from Newfoundland around the Arctic.

CTV News has much more on the story HERE.

Published in Coastal Notes
Tagged under

#Houseboat - The Canadian houseboat that washed up on the northwest Mayo coast earlier this month could be repurposed as a tourist attraction for the region.

As previously reported on Afloat.ie, the vessel drifted across the Atlantic from Newfoundland to Cross Beach on the Mullet Peninsula in a matter of weeks, some time after it was apparently donated to homeless youths by its owner Rick Small.

The local coastguard unit in Belmullet says it has so far been unsuccessful in its attempts to contact Small, in which case the vessel technically counts as a shipwreck.

And according to CBC News, it could eventually be repurposed as a tourism draw for the area, which lies on the Wild Atlantic Way.

Indeed, a local group known as the Men’s Shed has already been consulted about ideas for restoring the houseboat.

Published in Coastal Notes

#Houseboat - Just days after reports of fatty balls on Mayo beaches comes word of a houseboat that’s washed up on the county's northwest coast after crossing the Atlantic from Canada.

RTÉ News reports that the houseboat was set to be removed today (Monday 14 November) by Mayo County Council after beaching on Cross Beach on the Mullet Peninsula at the weekend.

The vessel, which may have been docked in Newfoundland as recently as late September, was apparently donated to ‘a homeless youth’ by its owner Rick Small – who gained some celebrity in Canada two years ago for riding a solar-powered tricycle across the country.

RTÉ News has more on the story HERE.

Published in Coastal Notes

An Irish tourist has died after a fall from a houseboat in Australia earlier today (Saturday 23 January), as RTÉ News reports.

The 27-year-old man, who has not yet been named, is understood to have fallen from the top deck of the houseboat on the Murray River between New South Wales and Victoria, and may have hit his head as he fell.

RTÉ News has more on the story HERE.

Published in News Update

#HotTub - Vessels in the English Channel have been warned to keep watch for a hot tub adrift in the water after a houseboat sank near Brighton this week.

On Wednesday 17 June, Newhaven RNLI attended to a tug towing two 22-metre houseboats on their way to the Thames area, one of which began taking on water and sank within 20 minutes.

As YBW reports, the lifeboat and tug crew were able to collect some debris that floated to the surface from the sunken houseboat.

But the hot tub was too large to recover, and its last known position was passed to Dover Coastguard.

Published in Water Safety

#boatyards – The interface between sea and land is infinite in its variety, and attractive to modern man as somewhere interesting to live. So if you set up a little coastal boatyard almost anywhere, very soon you'll be told that the property would be much more valuable if it was re-developed for residential use. Thus in Dublin, while we're more than happy to go along with the ancient north-south Liffey divide (Vikings to the north, Normans to the south, and the Irish somewhere out in Kildare), the reality is that in terms of property values, the divide is east-west, though admittedly with added north-south undertones.

This is fine and dandy for real estate theorists and the happy owners of desirable property near the coast. But with layup time and winterising schedules upon us, it makes life increasingly difficult for the dwindling band of boat owners who try to do their own boat maintenance and modification, and may even have built their boat from scratch in the first place, or at least from a bare hull.

Such people – and I'm one of them – operate in a different world. We amateurs working on boats, we barely qualify as a genuine economic activity. Our wives (very few of whom get directly involved) quite rightly dismiss it all as foostering. As for the rest of the community, we amateur bodgers are an embarrassment. We're out of sync with the new reality. These days, we live in an increasingly specialised society, where the preferred location for boat-building is in a purpose-built factory many miles inland where the land is cheaper, while waterfront servicing and repairs are swiftly executed in state-of-the-art units, where throughput has to be rapid and efficient.

Delays are anathema to people running these successful waterfront businesses. But delays and leisurely contemplation are essential for the DIY boat bodger, as he may eventually think of a much better way of coping with a problem which would have been dismissed as intractable by the professional, whose solution would have been the complete replacement of the troublesome item, and probably the complete replacement of the entire boat, all done before close of business that day.

The boat bodger doesn't think in terms of days, let alone close of business. All he needs is all the time in the world, and his own little space. In most modern coastal communities, neither is available. So we wax nostalgic about traditional yards where the boats came up a slip (at least a day's work in itself), and the work schedule stretched gently into the infinite beyond.

Every so often we still come across such places, and if we're on other business in the area, I am expressly forbidden from going near these paradises for boat nuts, as they're very heaven, and I'd be lost for the rest of the day But you won't find any in Dublin, where boat life now is all travel hoists and cranes and strictly scheduled throughput, while people think a slip is something that happens on a banana skin. However, if you get way from the big urban centres, there's more chance of finding yards which somehow retain enough of the traditional mood to relax the stressed boat owner, while at the same time embracing enough of the present to stay in business. And they're filled with boats which are themselves a living history of yacht design.

Perhaps the most remarkable boatyard place in Ireland is around Oldcourt in West Cork, where the Ilen River comes conveniently near the road as it meanders on its way down from Skibbereen to Baltimore. Several marine-related businesses seem to overlap here, there are boats of all shapes and sizes, and there are certainly some craft for which this is the final port of call. But as Spring arrives, somehow the numbers ashore get less, the number of emptied cradles increases, and despite the unhurried atmosphere, a lot gets done.

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Oldcourt achievement. The Cill Airne restaurant ship in Dublin was successfully converted for her new function at Oldcourt on the River Ilen in West Cork. Photo: W M Nixon

A remarkable Oldcourt achievement was the conversion of the Cill Airne, the restaurant ship now berthed in the heart of Dublin. Originally, she was Cork Harbour's tender to take passengers out from Cobh to great liners, and then she was a training ship for the marine academy. Her active seagoing career finished, she still had plenty of life in her for a new existence as a restaurant boat, but a conversion job in an orthodox dockyard would have been prohibitively expensive. Somehow they managed to get her up the river and alongside at Oldcourt, and once there, were able to take their time for a very fine job. In all, 132 different tradesmen, recruited mostly in West Cork, worked on the Cill Airne in the Ilen River. This past summer, when she was the focal point for the Riverfest during the Old Gaffers Golden Jubilee visit to Dublin, the boat-bodging gaffers were completely charmed to learn that this fine conversion had been done at an old-fashioned boatyard, just like the kind of place they dream of locating their own boats, if only they could find it in their area.

The heart and soul of Oldcourt, the warm spirit of the place, is embodied by the continuing restoration of the Ilen, the Conor O'Brien ketch which Gary MacMahon brought home from the Falklands quite a few years ago now. Her gentle restoration is an end in itself, and a balm for the soul. Love of wood is inherent in most of us, as an affinity for wood and an instinct to do something useful with it was a key survival mechanism at an important stage of human evolution. So it is still part of our makeup, and the Ilen restoration shed is a place of healing and mental comfort.

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Sweet work. The restoration of Ilen has been a reassuring feature of life in Oldcourt for some time. Photo: W M Nixon

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An early stage of the Ilen's restoration. Photo: W M Nixon

Up in the northeast of Ireland, hidden away behind the islands along the west side of Strangford Lough, is Billy Smyth's boatyard at Whiterock. If you were a film producer and requested your location scouts to find the classic traditional small boatyard to make a movie about sailing in times past, they would become ecstatic about Billy Smyth's. It's very basic yet remarkably efficient, while the quality of the work done by Kenny Smyth and his team is first class. And inevitably, there's the usual small quota of boats whose owners don't seem to want them launched now and again, and some from one year to the next. For some time, I'd been trying to trace a John B Kearney-designed 1936-built 6-ton yawl, the Rosalind, which had last been reported in the Poole area in the south of England many years ago. She'd gone under the radar, but she turned up this past summer in Billy Smyth's, where she has been under a cover for years in a corner of the yard, her owner's intention unfathomable.

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Just another boat under a cover in the corner of a boatyard...Photo: W M Nixon

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....but as the cover was hauled back......Photo: W M Nixon

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.....the 1936 John B Kearney 6-tonner Rosalind was revealed. Photo: W M Nixon

You may well think that it's only in Ireland that you can still find these gems of living boatyard history, but in the summer we were at the head of the Helford River in Cornwall, and found ourselves in the midst of the easygoing maritime mayhem which is Gweek.

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At the head of the Helford River estuary in Cornwall, Gweek Quay is a place of promise and fascination. Photo W M Nixon.

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Gweek is renowned as the birthplace of several Luke Powell pilot cutters. This is the Agnes, built in 2002 and based on a Scillonian pilot cutter of 1841. Photo: W M Nixon

In recent years, Gweek has been best known as the place where Luke Powell built his renowned Pilot Cutters, whose lines are unchanged from the mid-19th Century. But there's much more to Gweek than that. If your perception of England is of an over-regulated place where nothing much can happen without some peak-capped official's say-so, Gweek is an eye opener. Basically it's a creekhead boatyard, where the yard is filled with an astonishing variety of craft, many of them character boats, and some of which haven't been launched for a very long time.

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Serious work. GRP gigs emerge from the moulding shop at Gweek. Photo: W M Nixon

There's an unmistakable air of amiable anarchy, yet with underlying purpose. Some sheds were busy while we were there, finishing GRP double-ended gigs. Nearby was a large pop-up tent of a boatshed, and a looksee inside revealed it held the famous classic offshore yawl Lutine, restored recently at Gweek and taking a season off from seafaring. And all around another part of the creek, there were the houseboats.

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A pop-up boatshed invited a look inside.....Photo: W M Nixon

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...and we weren't disappointed. It was the classic offshore racing yawl Lutine. Photo: W M Nixon

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At Gweek, classic yachts share space with more humble craft....Photo: W M Nixon

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....and the owners are determined to have domestic comfort while in port. Photo: W M Nixon

Clearly, the houseboats, both in their location and appearance, are subject to no planning requirements whatever. Ancient hulls had their upperworks extended in stratospheric style. What looked like a former River Thames lighter in beside the trees had a three storey structure atop it like a Missisippi riverboat. And yet they weren't the last resort of people desperate for somewhere to live. Judging by the cars parked about the place, living in houseboats – however odd - was a lifestyle choice made by people who could well afford to live ashore.

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The houseboats in Gweek are a study in themselves. Note the "office & facilities block" on right, complete with public phone Photo: W M Nixon

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With no apparent planning restrictions, the Gweek houseboats can go for height........Photo: W M Nixon

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....even on boats where you wouldn't expect it. Photo: W M Nixon

So it's all of a piece that for some glorious years, the yard in Gweek was where Luke Powell built his cutters. They're arguably of an even older design type than the Galway Hookers, yet like the Connemara boats, they attract a passionate following, people who would sail on no other boats, and in a contemporary anchorage, a Powell cutter will certainly stand out, a glorious blast from the past.

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Not all Gweek projects are showing signs of progress. This may have been an International 6 Metre once upon a time, but she needs a lot of attention. Photo: W M Nixon

Blasts from the past were the theme of another boatyard visit, this time to Gloucester where the Severn winds its way between the Malvern and Cotswold hills. If you follow the doings of the tall ships, you'll know that T. Nielsen & Co's yard at Gloucester is the place to get sailing ship problems put right, and the yard in the midst of the historic docks in Gloucester has deservedly acquired a high reputation for serious work.

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Gloucester's historic docks provide a home for the Nielsen company, specializing in work on tall ships. Photo: W M Nixon

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There's always something of interest in the Nielsen corner in Gloucester, in this case a Victorian yacht awaiting restoration beside a Baltic ketch, while in the foreground is a narrowboat from the English canals. Photo: W M Nixon

This is big boy's territory – you get an appreciation of the scale of the Nielsen operation by realizing that one of the smallest craft they've worked on in Gloucester recently was the 52ft 1911-built Bristol Channel Pilot cutter Hirta, which had a complete re-build to emerge as new, and under her original name of Cornubia. A long time ago, Hirta was owned by Tom Cunliffe, who bought her in Scotland in 1982 and called into Howth on his way south at the beginning of a very productive partnership which included a Transatlantic cruise by the northern route. But pilot cutters, like Galway Hookers, weren't built of materials which were expected to last for ever, so it's good news that the Cornubia had this re-build completed in 2010, and is now based at Plymouth under the ownership of the Bristol Channel Pilot Cutter Trust.

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The 52ft pilot cutter Hirta in Howth in 1982. She has recently been re-built in Gloucester, and now sails under her original name of Cornubia. Photo: W M Nixon

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Tom Cunliffe, distinguished maritime writer and former President of the Old Gaffers Association, aboard Hirta in Howth in 1982. Photo: W M Nixon

The Nielsen people were in more familiar size territory when they did the lofting and made the rig for the Jeanie Johnston, and when we were there, they were busy with a major restoration on the Kaskelot, the three-masted 153ft Danish-built barque which was in one of the two dry docks, while other interesting craft at various stages of work were afloat in the dock.

Gloucester is where the heart of the country interacts with the sea, but in order to reach it from the Bristol Channel, vessels have to transit the long ship canal along the Severn valley up from Sharpness, which means that when you reach Gloucester, there's no question of people being impatient to nip out for a day sail – this is a place for working at seagoing ships. Yet Gloucester is also a port on England's myriad of inland waterways, in fact for a period it was an unrivalled entrepot for waterborne trade. But the historic docks are so perfect in their completeness that you get the feeling the burghers of Gloucester must have been on the very cusp of finishing this state-of-the-art waterways centre just as the railways were beginning to make such places redundant, and subsequent generations must have been tempted to flatten the impressive warehouses and fill in the basin.

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The three-masted barque Kaskelot undergoing major work in one of the Gloucester dry docks. Photo: W M Nixon

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Even on a Saturday morning, there's plenty of work going on for tourists to watch.....Photo: W M Nixon

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.....and there's a helpful information board to give you the dimensions of the ship in the dry dock.......Photo: W M Nixon

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....and there's even a photo to show you what she'll look like when the job is finished. Photo: W M Nixon

But miraculously Gloucester docks have survived, and not least of the elements in their current regeneration is the interest and energy of the Nielsen yard. We were there on a Saturday morning, yet they were busy on the Kaskelot. I didn't dare ask if it was a stipulation of their contract for having the use of the quayside and the dry docks, that they should continue working through the weekend when visitors are about. No doubt about it, the public loves work – they could watch it all day. And what used to be demanding and sometimes dangerous work is now a matter of recreational viewing. Who knows, but some time in the distant future, the government of Bangladesh may think it sensible to pay grants to the families who currently break up ships by hand on the shore of the Indian Ocean, in order to encourage them to continue their lethal but fascinating work for the edification of tourists.

Published in W M Nixon

#INLAND WATERWAYS - Waterways Ireland has applied for planning permission to build a new houseboat mooring facility on the Grand Canal at Sallins in Co Kildare.

The planned 210-metre fixed timer mooring is expected to cater for 12 boats with electric and water service supply bollards as well as a sewage pumpout.

There will also be 45 metres of short-term mooring space, a 12-space car park and disabled access to the facility.

Submissions on the planning application will be accepted by Kildare County Council till 11 September 2012. Details are available via the council's online planning system (application number 12645).

As previously reported on Afloat.ie, Waterways Ireland launched a scheme earlier this year for renting houseboat berths at the western end of the Grand Canal at Shannon Harbour.

Published in Inland Waterways

#SHANNON - Waterways Ireland has just released details of its scheme for renting berths for houseboats on the Grand Canal at Shannon Harbour.

Under the scheme, boaters can rent one of eight fully-serviced berths for their houseboat on a 12-month extended term licence running from 15 March 2012 to 14 March 2013.

Amenities on-site include electricity supply, access to pumps and clean water, shower facilities and limited car parking. Pre-paid smart cards are required to utilise some facilities.

As space is limited, the berths will go to the highest bidders, with the minimum acceptable bid set at €1,250 (a security deposit of €250 is required).

It is expected that licence holders will live on board their vessels as their main residence. Winning bidders are also expected to arrange their own refuse collection from the site.

The closing date for bids is 23 February 2012. The Waterways Ireland website has the application form plus more information about the scheme and details of the licence agreement.

Published in Inland Waterways

Following receipt of planning permission, Inland Waterways Ireland is progressing with the development of a houseboat facility in Shannon Harbour where the Grand Canal meets the Shannon.

The result will be a serviced mooring facility in Shannon Harbour for 6-8 boats. This will include moorings, area lighting, electricity and water.

A section of the Grand Canal, from the 34th Lock to the 35th Lock inclusive, will be closed to navigation between 1st November 2010 and 14th March 2011 to facilitate the improvement works. The towpaths will also be closed during the period of the works.

The design and commissioning of the work has been undertaken by Waterways Ireland. The tenders are currently being assessed and will be awarded shortly.

Published in Inland Waterways

Irish Olympic Sailing Team

Ireland has a proud representation in sailing at the Olympics dating back to 1948. Today there is a modern governing structure surrounding the selection of sailors the Olympic Regatta

Irish Olympic Sailing FAQs

Ireland’s representation in sailing at the Olympics dates back to 1948, when a team consisting of Jimmy Mooney (Firefly), Alf Delany and Hugh Allen (Swallow) competed in that year’s Summer Games in London (sailing off Torquay). Except for the 1968 Olympics in Mexico City, Ireland has sent at least one sailor to every Summer Games since then.

  • 1948 – London (Torquay) — Firefly: Jimmy Mooney; Swallow: Alf Delany, Hugh Allen
  • 1952 – Helsinki — Finn: Alf Delany * 1956 – Melbourne — Finn: J Somers Payne
  • 1960 – Rome — Flying Dutchman: Johnny Hooper, Peter Gray; Dragon: Jimmy Mooney, David Ryder, Robin Benson; Finn: J Somers Payne
  • 1964 – Tokyo — Dragon: Eddie Kelliher, Harry Maguire, Rob Dalton; Finn: Johnny Hooper 
  • 1972 – Munich (Kiel) — Tempest: David Wilkins, Sean Whitaker; Dragon: Robin Hennessy, Harry Byrne, Owen Delany; Finn: Kevin McLaverty; Flying Dutchman: Harold Cudmore, Richard O’Shea
  • 1976 – Montreal (Kingston) — 470: Robert Dix, Peter Dix; Flying Dutchman: Barry O’Neill, Jamie Wilkinson; Tempest: David Wilkins, Derek Jago
  • 1980 – Moscow (Tallinn) — Flying Dutchman: David Wilkins, Jamie Wilkinson (Silver medalists) * 1984 – Los Angeles — Finn: Bill O’Hara
  • 1988 – Seoul (Pusan) — Finn: Bill O’Hara; Flying Dutchman: David Wilkins, Peter Kennedy; 470 (Women): Cathy MacAleavy, Aisling Byrne
  • 1992 – Barcelona — Europe: Denise Lyttle; Flying Dutchman: David Wilkins, Peter Kennedy; Star: Mark Mansfield, Tom McWilliam
  • 1996 – Atlanta (Savannah) — Laser: Mark Lyttle; Europe: Aisling Bowman (Byrne); Finn: John Driscoll; Star: Mark Mansfield, David Burrows; 470 (Women): Denise Lyttle, Louise Cole; Soling: Marshall King, Dan O’Grady, Garrett Connolly
  • 2000 – Sydney — Europe: Maria Coleman; Finn: David Burrows; Star: Mark Mansfield, David O'Brien
  • 2004 – Athens — Europe: Maria Coleman; Finn: David Burrows; Star: Mark Mansfield, Killian Collins; 49er: Tom Fitzpatrick, Fraser Brown; 470: Gerald Owens, Ross Killian; Laser: Rory Fitzpatrick
  • 2008 – Beijing (Qingdao) — Star: Peter O’Leary, Stephen Milne; Finn: Tim Goodbody; Laser Radial: Ciara Peelo; 470: Gerald Owens, Phil Lawton
  • 2012 – London (Weymouth) — Star: Peter O’Leary, David Burrows; 49er: Ryan Seaton, Matt McGovern; Laser Radial: Annalise Murphy; Laser: James Espey; 470: Gerald Owens, Scott Flanigan
  • 2016 – Rio — Laser Radial (Women): Annalise Murphy (Silver medalist); 49er: Ryan Seaton, Matt McGovern; 49erFX: Andrea Brewster, Saskia Tidey; Laser: Finn Lynch; Paralympic Sonar: John Twomey, Ian Costello & Austin O’Carroll

Ireland has won two Olympics medals in sailing events, both silver: David Wilkins, Jamie Wilkinson in the Flying Dutchman at Moscow 1980, and Annalise Murphy in the Laser Radial at Rio 2016.

The current team, as of December 2020, consists of Laser sailors Finn Lynch, Liam Glynn and Ewan McMahon, 49er pairs Ryan Seaton and Seafra Guilfoyle, and Sean Waddilove and Robert Dickson, as well as Laser Radial sailors Annalise Murphy and Aoife Hopkins.

Irish Sailing is the National Governing Body for sailing in Ireland.

Irish Sailing’s Performance division is responsible for selecting and nurturing Olympic contenders as part of its Performance Pathway.

The Performance Pathway is Irish Sailing’s Olympic talent pipeline. The Performance Pathway counts over 70 sailors from 11 years up in its programme.The Performance Pathway is made up of Junior, Youth, Academy, Development and Olympic squads. It provides young, talented and ambitious Irish sailors with opportunities to move up through the ranks from an early age. With up to 100 young athletes training with the Irish Sailing Performance Pathway, every aspect of their performance is planned and closely monitored while strong relationships are simultaneously built with the sailors and their families

Rory Fitzpatrick is the head coach of Irish Sailing Performance. He is a graduate of University College Dublin and was an Athens 2004 Olympian in the Laser class.

The Performance Director of Irish Sailing is James O’Callaghan. Since 2006 James has been responsible for the development and delivery of athlete-focused, coach-led, performance-measured programmes across the Irish Sailing Performance Pathway. A Business & Economics graduate of Trinity College Dublin, he is a Level 3 Qualified Coach and Level 2 Coach Tutor. He has coached at five Olympic Games and numerous European and World Championship events across multiple Olympic classes. He is also a member of the Irish Sailing Foundation board.

Annalise Murphy is by far and away the biggest Irish sailing star. Her fourth in London 2012 when she came so agonisingly close to a bronze medal followed by her superb silver medal performance four years later at Rio won the hearts of Ireland. Murphy is aiming to go one better in Tokyo 2021. 

Under head coach Rory Fitzpatrick, the coaching staff consists of Laser Radial Academy coach Sean Evans, Olympic Laser coach Vasilij Zbogar and 49er team coach Matt McGovern.

The Irish Government provides funding to Irish Sailing. These funds are exclusively for the benefit of the Performance Pathway. However, this falls short of the amount required to fund the Performance Pathway in order to allow Ireland compete at the highest level. As a result the Performance Pathway programme currently receives around €850,000 per annum from Sport Ireland and €150,000 from sponsorship. A further €2 million per annum is needed to have a major impact at the highest level. The Irish Sailing Foundation was established to bridge the financial gap through securing philanthropic donations, corporate giving and sponsorship.

The vision of the Irish Sailing Foundation is to generate the required financial resources for Ireland to scale-up and execute its world-class sailing programme. Irish Sailing works tirelessly to promote sailing in Ireland and abroad and has been successful in securing funding of 1 million euro from Sport Ireland. However, to compete on a par with other nations, a further €2 million is required annually to realise the ambitions of our talented sailors. For this reason, the Irish Sailing Foundation was formed to seek philanthropic donations. Led by a Board of Directors and Head of Development Kathryn Grace, the foundation lads a campaign to bridge the financial gap to provide the Performance Pathway with the funds necessary to increase coaching hours, upgrade equipment and provide world class sport science support to a greater number of high-potential Irish sailors.

The Senior and Academy teams of the Performance Pathway are supported with the provision of a coach, vehicle, coach boat and boats. Even with this level of subsidy there is still a large financial burden on individual families due to travel costs, entry fees and accommodation. There are often compromises made on the amount of days a coach can be hired for and on many occasions it is necessary to opt out of major competitions outside Europe due to cost. Money raised by the Irish Sailing Foundation will go towards increased quality coaching time, world-class equipment, and subsiding entry fees and travel-related costs. It also goes towards broadening the base of talented sailors that can consider campaigning by removing financial hurdles, and the Performance HQ in Dublin to increase efficiency and reduce logistical issues.

The ethos of the Performance Pathway is progression. At each stage international performance benchmarks are utilised to ensure the sailors are meeting expectations set. The size of a sailor will generally dictate which boat they sail. The classes selected on the pathway have been identified as the best feeder classes for progression. Currently the Irish Sailing Performance Pathway consists of the following groups: * Pathway (U15) Optimist and Topper * Youth Academy (U19) Laser 4.7, Laser Radial and 420 * Development Academy (U23) Laser, Laser Radial, 49er, 49erFX * Team IRL (direct-funded athletes) Laser, Laser Radial, 49er, 49erFX

The Irish Sailing performance director produces a detailed annual budget for the programme which is presented to Sport Ireland, Irish Sailing and the Foundation for detailed discussion and analysis of the programme, where each item of expenditure is reviewed and approved. Each year, the performance director drafts a Performance Plan and Budget designed to meet the objectives of Irish Performance Sailing based on an annual review of the Pathway Programmes from Junior to Olympic level. The plan is then presented to the Olympic Steering Group (OSG) where it is independently assessed and the budget is agreed. The OSG closely monitors the delivery of the plan ensuring it meets the agreed strategy, is within budget and in line with operational plans. The performance director communicates on an ongoing basis with the OSG throughout the year, reporting formally on a quarterly basis.

Due to the specialised nature of Performance Sport, Irish Sailing established an expert sub-committee which is referred to as the Olympic Steering Group (OSG). The OSG is chaired by Patrick Coveney and its objective is centred around winning Olympic medals so it oversees the delivery of the Irish Sailing’s Performance plan.

At Junior level (U15) sailors learn not only to be a sailor but also an athlete. They develop the discipline required to keep a training log while undertaking fitness programmes, attending coaching sessions and travelling to competitions. During the winter Regional Squads take place and then in spring the National Squads are selected for Summer Competitions. As sailors move into Youth level (U19) there is an exhaustive selection matrix used when considering a sailor for entry into the Performance Academy. Completion of club training programmes, attendance at the performance seminars, physical suitability and also progress at Junior and Youth competitions are assessed and reviewed. Once invited in to the Performance Academy, sailors are given a six-month trial before a final decision is made on their selection. Sailors in the Academy are very closely monitored and engage in a very well planned out sailing, training and competition programme. There are also defined international benchmarks which these sailors are required to meet by a certain age. Biannual reviews are conducted transparently with the sailors so they know exactly where they are performing well and they are made aware of where they may need to improve before the next review.

©Afloat 2020