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In the Isle of Man, a historic boat is to return to the Nautical Museum.

Moving an 18th century schooner back to the Nautical Museum in Castletown is expected to cost more than £5 million.

The Peggy was removed for conservation work in 2015 after being housed in what were described as 'appalling conditions'.

A motion is going before the Manx Government (yesterday, 18 May) to set out a timeline for the boat's return.

Manx National Heritage Chairman Jonathan Hall spoke to Local Democracy Reporter Chris Cave, to listen, Manx Radio reports. 

Read WM Nixon's full blog on Peggy here

Published in Historic Boats

#woodenboats – It's an interesting time for old wooden boats. They may be traditional craft, or classics, or simply ordinary timber boats which have reached a stage in life where they need serious and special attention. Whatever the circumstances, it's clear that their situation strikes a chord with sailors everywhere. And when there's good news about a restoration, it heartens the maritime community to know that worthwhile plans are being implemented. W M Nixon takes us on a tour.

The maritime highlight of this past week was down in the far southwest, at the ceremony in Liam Hegarty's boatyard at Oldcourt above Baltimore on the River Ilen when the "whiskey plank" was fastened in place to complete the hull re-build of the 1926 Conor O'Brien 56ft trading ketch Ilen. It has been a long haul since Ilen was brought back to Ireland from her working area in the Falkland Islands in 1997. Yet somehow, despite all sorts of problems of which the economic recession was only one, the Ilen really is starting to look ship-shape again.

Then in another part of the country, the word had come through that one of the Belfast Lough 27ft S Class sloops, twenty of which were built on the shores of Ballyholme Bay between 1946 and 1963, was facing extinction in a corner of County Louth. The news resulted in a flurry of photos on the Afloat.ie website spurred on by the indefatigable Pat Murphy, and soon the Sorona found herself a new home in a yard in Newry.

There, the story is that she'll be sharing space with the vintage ketch Silvery Light, a substantial vessel built in 1884 on the beach at St Ives in Cornwall to be a herring drifter, and now undergoing a much-needed restoration in Newry after being brought by new owners into Carlingford Lough last Autumn.

Sorona may have been only 52 years old. But her deteriorating condition was a reminder that the climate of Ireland and the seas around us can be merciless to a wooden vessel unless - whether deliberately or by happy accident - the boat is stored in a timber-friendly sheltered environment which is not too hot or cold, nor excessively wet or dry.

wooden2.jpgA formidable restoration challenge. The 1884-built ketch Silvery Light – seen here in Carlingford last October – will be undergoing restoration in Newry. Photo: Peter Redmond

In the middle of the Irish Sea in the ancient capital of the Isle of Man at Castletown, the 26ft schooner Peggy had survived remarkably well in her harbourside "boat cellar" under Bridge House. In fact, her survival was miraculous, as Peggy was built in 1789, making her probably the oldest yacht in the world. But in recent years, it became clear that a major conservation project was going to be needed to preserve this unique craft.

And just three weeks ago, for the first time in 180 years, the Peggy was removed from her private space in a skilled operation. She is now safely ensconced in a specially prepared conservation workshop in the island's modern capital of Douglas, where it is anticipated the painstaking process of preserving this exceptional gem of maritime heritage could take five years.

Once you have the ideal conditions of micro-climate in place for doing the job, conservation is a long haul, a project of infinite patience. One of the best examples of how it can be done successfully is in Dublin with the Asgard, now on display in Collins Barracks. John Kearon, who learned his shipwright skills in Arklow and then broadened them to include historical work with the Liverpool Maritime Museum, was to lead the team working on this from 2007 until its completion in 2012.

The result is a multi-value display, as the 1905-built Asgard has her place in Irish history through the 1914 gun-running to Howth, she is also totally associated with Erskine Childers which takes us, among other elements in a complex history, into the world of his 1903 best-selling espionage novel The Riddle of the Sands, and she is a marvellous example of the work of the great designer-builder Colin Archer of Norway in creating a very able seagoing yacht of the era, one of the best cruising vessels of her time.

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The Asgard in Collins Barracks is a fine example of conservation. A group of Erskine Childers enthusiasts from the Royal Cruising Club is seen here listening intently to a talk by conservator John Kearon about the vessel and the preservation work done with her by his team. Throughout her ownership by Erskine & Molly Childers from 1905, Asgard played a prominent role in the activities of the RCC, and in 1913 their friend Gordon Shepherd was awarded the club's historic Challenge Cup for his remarkable Autumn cruise with Asgard from Norway to North Wales via the Shetland Islands and the Hebrides. Photo: W M Nixon

In her day, the little Peggy was also something of a unique star. Though based in the Isle of Man and most active during the 1890s, she was never in Ireland. Had she been seen on the Irish coast, it would probably have been because she'd been captured by the privateers and smugglers of Rush in North Dublin, who were the capture and contraband industry leaders of their day.

So when Peggy's owner George Quayle (1751-1835) took her "abroad", it was prudently to northern England to race successfully against a small fleet of early yachts on Windermere in the Lake District, though we can be sure that if the men of Rush had come anywhere near him, Quayle would have put up a gallant fight, as Peggy was an armed yacht with miniature cannons which most certainly weren't toys.

But it's the realization that Quayle was active at sea with the Peggy in the years after Luke Ryan of Rush was at his busiest, yet before James Mathews of the same port was at his most active, which helps us to grasp her historical significance. She was sailing the Irish Sea well before the Battle of Trafalgar. But thanks to being immured for a hundred years in her boat cellar after George Quayle died in 1835, this small but significant vessel has survived to become something of extraordinary value today.

Her inevitable deterioration was accelerating in recent years because of mineralization of her fastenings, which were not only consuming themselves, but were damaging all the timber about them. However, her conservation was not something to be undertaken lightly. The provision of a proper facility had to be organised, and then the liftout, clear over the tops of the harbourside houses, had to be planned within inches.

It was all relatively new territory for many of those involved, with much preparatory work. So what had originally been planned as an Autumn 2014 lift finally became possible in late January 2015, just when the weather went to pot, with one gale after another making for impossible conditions. But then one cold Thursday morning at the end of January, the wind maps suggested the arrival of a brief lull in the northwest gales. It arrived exactly on time on a sunny day suggestive of early Spring, and gently but steadily the Peggy emerged.

As Chris Weeks of Manx Heritage remarked as he watched from the parapet above George Quayle's little boat dock, the one thing
they didn't want to hear was any creaking or groaning. If the special lifting cradle was doing its job, the Peggy would rise from her nest of 180 years in perfect silence. And that's exactly how it went, with the lift done in two stages as they were working in very confined streets and spaces.

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Of course, after all the fuss those of us in the Peggy Appreciation Society have been making for years, when she did finally come into the open the inevitable reaction was: "But she's very small". What on earth did they expect? Something like Nelson's Victory rising up over the old houses of Castletown? How many times do we have to reiterate that she's only 26ft in overall length, just a foot longer overall than a Folkboat, though with greater bulk and a longer waterline.

What her emergence did properly reveal, for the first time in all those 180 years, is just how much the Peggy is a vessel of her era. This is indeed a ship – albeit a miniature one – of the 18th Century. But she's an 18th Century high performance mini-ship nevertheless – this is undoubtedly a vessel well worth conserving.

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Peggy aloft. The newest crane in the Isle of Man lifts the oldest boat in the Isle of Man. Photo: Michael Kneale

So the day went well. And for those with a technical interest in such things, the word is that the delicate lifting of the oldest boat in the Isle of Man was done by the newest crane on the Isle of Man, a Japanese made Tadano recently delivered (for a cool £550,000) to Mann Crane Hire whose boss Chris Barnes was understandably proud of the smooth work put in by his supervisor Colin Fitzgerald and crane driver David Hooper.

Thanks to their good work everyone was able, for the first time in 180 years, to fully admire and savour the Peggy's lines. To the uninitiated, she may look like just another 26ft clinker-built boat. But for connoisseurs, she's living history with a stylish hull, as she has the most gorgeous hollow waterlines forward, and a sweet run aft – George Quayle had himself a flyer.

wooden5.jpgTo a casual observer, this may look like just another 26ft clinker-built boat. But for connoisseurs, this is a genuine miniature of a 17th Century ship - the Peggy is very special. Photo: Michael Kneale

So it's a bit sad that, as with the Asgard, we have to accept that conservation means the Peggy will never sail again. But thanks to John Kearon's painstaking work, the plans of Asgard as she was originally in 1905 are readily available for any group wishing to build a seagoing replica. Stranger things have happened. And as the Peggy is of such a manageable size, it's even more likely that a new seagoing replica of the little Manx schooner will appear some time, and maybe sooner rather than later. After all, she'd be much the same size as the "new" Shannon hooker Sally O'Keeffe down in Kilrush, which is absolutely on target as a community maritime project.

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The 2012-built Sally O'Keeffe on the Shannon Estuary is much the same size as the Peggy of Castletown.

wooden7_1.jpgA genuine community project. Some of the team who built Sally O'Keeffe in Querrin aboard the boat in Kilrush with lead builder Steve Morris second left in the trio up forward. Photo: W M Nixon

Nevertheless after immersing ourselves in the dusty academic topic of proper boat conservation, it's like a breath of fresh air to consider the Ilen, for she will definitely sail again. Tom MacSweeney of this parish was at the ceremony, so we'll defer to himself for his detailed report on the occasion in the fullness of time. But just from looking at the photos, you can get some idea of the quality of the workmanship that Gary MacMahon and his team from the Ilen Trust and Boatbuilding School in Limerick are getting from Liam Hegarty and his shipwrights at Oldcourt.

The pure style of the new planking is a joy to behold. And as for the use of classic bronze spikes for the fastenings, they're a work of the craftsman's art in themselves. Gary MacMahon brought one along to the recent Sail Training Ireland Annual Awards ceremony in the Mansion House in Dublin, and in that setting and on that occasion, you couldn't help but think that if our impoverished nation had been able to utilise bronze fastenings of this standard in Asgard II when building her in the late 1970s, rather than the galvanized steel fastenings that had to be used, then our beloved sail training brigantine might still be sailing today.

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Quality work at every level. The superb workmanship on the Ilen restoration by Liam Hegarty is much in evidence as Minister for the Marine Simon Coveney supports Kate Jarvey of the Ruth Lilly Philanthropic Trust as she drives the bronze fastening to complete the "whiskey plank". Photo: Kevin O'Farrell

But Asgard II is long gone, and so too is Conor O'Brien's Saoirse, the 42ft Baltimore-built ketch in which the Limerick sailor made his extraordinary voyage round the word south of the Great Capes in 1922-25. Thus Ilen is the only tangible link to that remarkable and very historic achievement. For those who enjoy looking at line drawings of boats (not everyone does - there are some who claim that such technical stuff makes them feel "disenfranchised"), it's intriguing to compare the lines of the 42ft Saoirse and the 56ft Ilen.
They're clearly sisters, but you'll note that the Ilen people have made sure that Tom Moynihan of Baltimore is given a significant amount of credit for the design, for down in West Cork they'll tell you that for all that Conor O'Brien was an architect by profession, it took Tom Moynihan's skills to turn his rough concept sketches into vessels capable of sailing so ably across the oceans.

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The lines of Ilen as taken off the hull by laser scanner

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The hull lines of Saoirse as interpreted by Myles Stapleton (designer of Sally O'Keeffe) from basic drawings by Conor O'Brien

An Irish designer who didn't need anyone's help to make his creations look like proper boats was John B Kearney (1879-1967). He may have started his working life as a boy apprentice at Murphy's Boatyard in Ringsend in the early 1890s, while his working life was to be spent with Dublin Port & Docks where he rose to be Superintendent of Engineering Works. But his lifetime ambition was always to be a yacht designer, he trained and studied for it in his very limited spare time from boyhood, and then he worked at it throughout his long retirement. When he finally died at the age of 87, his gravestone in Glasnevin says it all, as it simply reads: John Breslin Kearney.....Yacht Designer. Beloved and respected by all that knew him.

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Mavis in her element under Skipper Kearney's command, on her way to winning Skerries Regatta in 1928

For everyone who sailed with him in his many successful cruises and races, he was always Skipper Kearney, and Skipper Kearney's finest creation was the 38ft yawl Mavis which he designed and built himself in Ringsend in 1923-25. Mavis went to America in 1956, and from time to time we've mentioned the continuing process of restoration on her in Camden, Maine, which has been going on for quite a few years now. It has been a lengthy process as owner/restorer Ron Hawkins has to take time out now and again to earn extra funds as a shipwright in order to to keep the Mavis restoration show on the road.

But it's getting there at last. So much so, indeed, that having given the hull of Mavis its first coat of paint in more than twenty years just a couple of weeks ago, Ron and his partner Denise Pukas are now talking of a re-launch date of July 4th 2015 for the restored ship, this treasure of the Irish yacht designer's art and craft.

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The quality of workmanship in the restoration of Mavis is clearly displayed. Note how John B Kearney skillfully carried the beam well aft in order to provide a wide and comfortable afterdeck despite incorporating a canoe stern. Photo: Denise Pukas

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The canoe stern on Mavis with its first coat of fresh paint in 20 years. Here we can appreciate again how John Kearney managed to have an elegant canoe stern while providing plenty of deck space aft. Photo: Denise Pukas

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The most famous Kearney hull of all begins to emerge from restoration. It is hoped to re-launch Mavis on July 4th 2015. Photo: Denise Pukas

It would be pleasant to keep this week's commentary on a good news theme right through to the end, but the various emails about saving the Sorona from an untimely end in County Louth brought the information that there are skilled boatbuilders in places like Arklow who are looking for boats needing restoration - not as a commercial venture, but rather as a worthwhile private project.

The secret of it all is surely being able to assess if a particular boat is too far gone to be within your restoration capabilities and resources. Be that as it may, it was sadly ironic to reflect that within yards of the bright and cheerful festival which celebrated the final plank being installed on the Ilen, there's a derelict little boat which would be very rewarding to restore, but it's likely that she's so far gone it's actually a re-build you'd be contemplating.

We're talking of the Englyn, the Harrison Butler-designed 26-footer which came up on the radar last May when were discussing the new 31ft Harrison Butler-designed Khamseen class which Steve Morris, lead builder of the Sally O'Keeffe, is constructing beside his house near Kilrush. But while Steve's boat is starting to look very healthy indeed, sad little Englyn is anything but as she lies abandoned within yards of the Old Cornstore where Ilen is being so beautifully re-born.

Part of the problem in getting anyone interested in the Englyn – which was built in 1934 in Southampton – is that her only link to Ireland was through various owners later in her life. Yet in her day she was considered a classic, so much so that when Eric Hiscock's defining book Cruising Under Sail was published in 1950, Englyn was one of the featured designs. And as the designer Harrison Butler was professionally an ophthalmic surgeon who put heart and soul into everything he did, when Hiscock asked him for the plans he went to infinite pains to bring them to life as a vision of a proper little cruising yacht, even to having a trussed chicken shown in the meat locker.

Over and above that, when looking at Englyn's plans it's not unreasonable to think that, 25 years before Lyle Hess was starting to design his first characterful boats, Harrison Butler was thinking along much the same lines. And he had the boats afloat to prove it.

But that piece of thinking is another day's work. For now, give us a moment of your time to consider the drawings of Englyn as she was in her prime. Then pause briefly to consider sadly how she looked last Monday as Ilen was re-born nearby. And then let's hear it from those who say they're looking for a worthwhile restoration project.

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Englyn as she was last Monday at Oldcourt, as the re-birth of Ilen was being celebrated nearby. Photo: John Wolfe

Published in W M Nixon

#oldestyacht – What may well be the world's oldest yacht, the 1789-built 26ft schooner Peggy in the Isle of Man has finally been lifted out of her historic berth under Bridge House in Castletown in the isle of Man, and has been safely transferred to a specially-modified workshop in Douglas for the painstaking work of conservation to begin.

As the project with the historic Asgard by John Kearon and his team in Collins Barracks in Dublin revealed, conservation is a highly skilled job requiring much patience, and almost endless resources. But the wonderful Peggy, built 226 years ago for Manx renaissance man and pioneering yachtsman George Quayle, is very special indeed, and the people of the Isle of Man are determined to ensure that she gets the preservation treatment she deserves.

Video of the yacht being moved here

Read WM Nixon's full blog on Peggy here

Published in Historic Boats

Annalise Murphy, Olympic Silver Medalist

The National Yacht Club's Annalise Murphy (born 1 February 1990) is a Dublin Bay sailor who won a silver medal in the 2016 Summer Olympics. She is a native of Rathfarnham, a suburb of Dublin.

Murphy competed at the 2012 Summer Olympics in the Women's Laser Radial class. She won her first four days of sailing at the London Olympics and, on the fifth day, came in 8th and 19th position.

They were results that catapulted her on to the international stage but those within the tiny sport of Irish sailing already knew her of world-class capability in a breeze and were not surprised.

On the sixth day of the competition, she came 2nd and 10th and slipped down to second, just one point behind the Belgian world number one.

Annalise was a strong contender for the gold medal but in the medal race, she was overtaken on the final leg by her competitors and finished in 4th, her personal best at a world-class regatta and Ireland's best Olympic class result in 30 years.

Radial European Gold

Murphy won her first major medal at an international event the following year on home waters when she won gold at the 2013 European Sailing Championships on Dublin Bay.

Typically, her track record continues to show that she performs best in strong breezes that suit her large stature (height: 1.86 m Weight: 72 kg).

She had many international successes on her road to Rio 2016 but also some serious setbacks including a silver fleet finish in flukey winds at the world championships in the April of Olympic year itself.

Olympic Silver Medal

On 16 August 2016, Murphy won the silver medal in the Laser Radial at the 2016 Summer Olympics defying many who said her weight and size would go against her in Rio's light winds.

As Irish Times Sailing Correspondent David O'Brien pointed out: " [The medal] was made all the more significant because her string of consistent results was achieved in a variety of conditions, the hallmark of a great sailor. The medal race itself was a sailing master class by the Dubliner in some decidedly fickle conditions under Sugarloaf mountain".

It was true that her eight-year voyage ended with a silver lining but even then Murphy was plotting to go one better in Tokyo four years later.

Sportswoman of the Year

In December 2016, she was honoured as the Irish Times/Sport Ireland 2016 Sportswoman of the Year.

In March, 2017, Annalise Murphy was chosen as the grand marshal of the Dublin St Patrick's day parade in recognition of her achievement at the Rio Olympics.

She became the Female World Champion at the Moth Worlds in July 2017 in Italy but it came at a high price for the Olympic Silver medallist. A violent capsize in the last race caused her to sustain a knee injury which subsequent scans revealed to be serious. 

Volvo Ocean Race

The injury was a blow for her return to the Olympic Laser Radial discipline and she withdrew from the 2017 World Championships. But, later that August, to the surprise of many, Murphy put her Tokyo 2020 ambitions on hold for a Volvo Ocean Race crew spot and joined Dee Caffari’s new Turn the Tide On Plastic team that would ultimately finish sixth from seventh overall in a global circumnavigation odyssey.

Quits Radial for 49erFX

There were further raised eyebrows nine months later when, during a break in Volvo Ocean Race proceedings, in May 2018 Murphy announced she was quitting the Laser Radial dinghy and was launching a 49er FX campaign for Tokyo 2020. Critics said she had left too little time to get up to speed for Tokyo in a new double-handed class.

After a 'hugely challenging' fourteen months for Murphy and her crew Katie Tingle, it was decided after the 2019 summer season that their 'Olympic medal goal' was no longer realistic, and the campaign came to an end. Murphy saying in interviews “I guess the World Cup in Japan was a bit of a wakeup call for me, I was unable to see a medal in less than twelve months and that was always the goal".

The pair raced in just six major regattas in a six-month timeframe. 

Return to Radial

In September 2019, Murphy returned to the Laser Radial dinghy and lead a four-way trial for the Tokyo 2020 Irish Olympic spot after the first of three trials when she finished 12th at the Melbourne World Championships in February 2020.

Selection for Tokyo 2021

On June 11, Irish Sailing announced Annalise Murphy had been nominated in the Laser Radial to compete at the Tokyo Olympics in 2021. Murphy secured the Laser Radial nomination after the conclusion of a cut short trials in which rivals Aoife Hopkins, Aisling Keller and Eve McMahon also competed.

Disappointment at Tokyo 2021

After her third Olympic Regatta, there was disappointment for Murphy who finished 18th overall in Tokyo. On coming ashore after the last race, she indicated her intention to return to studies and retire from Olympic sailing.  

On 6th Aguust 2020, Murphy wrote on Facebook:  "I am finally back home and it’s been a week since I finished racing, I have been lucky enough to experience the highs and the lows of the Olympics. I am really disappointed, I can’t pretend that I am not. I wasn’t good enough last week, the more mistakes I made the more I lost confidence in my decision making. Two years ago I made a plan to try and win a gold medal in the Radial, I believed that with my work ethic and attitude to learning, that everything would work out for me. It didn’t work out this time but I do believe that it’s worth dreaming of winning Olympic medals as I’m proof that it is possible, I also know how scary it is to try knowing you might not be good enough!
I am disappointed for Rory who has been my coach for 15 years, we’ve had some great times together and I wish I could have finished that on a high. I have so much respect for Olympic sailing coaches. They also have to dedicate their lives to getting to the games. I know I’ll always appreciate the impact Rory has had on my life as a person.
I am so grateful for the support I have got from my family and friends, I have definitely been selfish with my time all these years and I hope I can now make that up to you all! Thanks to Kate, Mark and Rónán for always having my back! Thank you to my sponsors for believing in me and supporting me. Thank you Tokyo for making these games happen! It means so much to the athletes to get this chance to do the Olympics.
I am not too sure what is next for me, I definitely don’t hate sailing which is a positive. I love this sport, even when it doesn’t love me 😂. Thank you everyone for all the kind words I am finally getting a chance to read!"

Annalise Murphy, Olympic Sailor FAQs

Annalise Murphy is Ireland’s best performing sailor at Olympic level, with a silver medal in the Laser Radial from Rio 2016.

Annalise Murphy is from Rathfarnham, a suburb in south Co Dublin with a population of some 17,000.

Annalise Murphy was born on 1 February 1990, which makes her 30 years old as of 2020.

Annalise Murphy’s main competition class is the Laser Radial. Annalise has also competed in the 49erFX two-handed class, and has raced foiling Moths at international level. In 2017, she raced around the world in the Volvo Ocean Race.

In May 2018, Annalise Murphy announced she was quitting the Laser Radial and launching a campaign for Tokyo 2020 in the 49erFX with friend Katie Tingle. The pairing faced a setback later that year when Tingle broke her arm during training, and they did not see their first competition until April 2019. After a disappointing series of races during the year, Murphy brought their campaign to an end in September 2019 and resumed her campaign for the Laser Radial.

Annalise Murphy is a longtime and honorary member of the National Yacht Club in Dun Laoghaire.

Aside from her Olympic success, Annalise Murphy won gold at the 2013 European Sailing Championships on Dublin Bay.

So far Annalise Murphy has represented Ireland at two Olympic Games.

Annalise Murphy has one Olympic medal, a silver in the Women’s Laser Radial from Rio 2016.

Yes; on 11 June 2020, Irish Sailing announced Annalise Murphy had been nominated in the Women’s Laser Radial to compete at the Tokyo 2020 Olympic Games in 2021.

Yes; in December 2016, Annalise Murphy was honoured as the Irish Times/Sport Ireland 2016 Sportswoman of the Year. In the same year, she was also awarded Irish Sailor of the Year.

Yes, Annalise Murphy crewed on eight legs of the 2017-18 edition of The Ocean Race.

Annalise Murphy was a crew member on Turn the Tide on Plastic, skippered by British offshore sailor Dee Caffari.

Annalise Murphy’s mother is Cathy McAleavy, who competed as a sailor in the 470 class at the Olympic Games in Seoul in 1988.

Annalise Murphy’s father is Con Murphy, a pilot by profession who is also an Olympic sailing race official.

Annalise Murphy trains under Irish Sailing Performance head coach Rory Fitzpatrick, with whom she also prepared for her silver medal performance in Rio 2016.

Annalise Murphy trains with the rest of the team based at the Irish Sailing Performance HQ in Dun Laoghaire Harbour.

Annalise Murphy height is billed as 6 ft 1 in, or 183cm.

©Afloat 2020

At A Glance – Annalise Murphy Significant Results

2016: Summer Olympics, Rio de Janeiro, Brazil – Silver

2013: European Championships, Dublin, Ireland – Gold

2012: Summer Olympics, London, UK – 4th

2011: World Championships, Perth, Australia – 6th

2010: Skandia Sail for Gold regatta – 10th

2010: Became the first woman to win the Irish National Championships.

2009: World Championships – 8th

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