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Displaying items by tag: James Wharram

Despite another year of pandemic challenges, the Ocean Cruising Club Awards Subcommittee has found numerous achievements to recognise in the cruising world.

Nominations are made by Full Members of the OCC, winners are selected by a highly experienced team of bluewater cruisers, and selections are approved by the OCC General Committee.

The OCC Lifetime Cruising Award 2021 is presented posthumously to James Wharram (deceased 14th Dec. 2021 aged 93). James Wharram, considered by many as the father of modern multihull cruising, was a free-spirited sailor and designer who specialised in double-canoe style sailing catamarans, inspired by the Polynesian double canoe. Wharram's Irish connections were reported by Afloat last month here.

The OCC announced that Dustin Reynolds is this year’s recipient of the Club’s premier award, The OCC Barton Cup, which salutes an exceptional or challenging voyage or series of voyages. A double amputee following a motorcycle accident in 2008, six years later Dustin left Hawaii aboard his 35ft Alberg sloop, Tiama. By 2018 he had reached South Africa and has now completed his circumnavigation via the Panama Canal, not to mention a side-trip to Antarctica aboard a friend’s 38 footer. The journey took Dustin 7.5 years, starting and ending in Kona HI.

With little experience and little to no money he found a way to pursue his dream. It should be pointed out that Dustin’s boat is extremely low-tech, with no electric winches or other gismos to make his sailing easier. In fact, prior to the Royal Cape Yacht Club presenting him with a self-tailing winch in early 2019, he lacked even this basic piece of kit. Dustin was a recipient of the OCC Challenge Grant and in 2018 was recognised with the OCC Seamanship Award.

The OCC Seamanship Award goes to George Arnison s/v Good Report and Duncan Lougee s/v Minke in recognition of their outstanding seamanship during their first ocean passage in the 2021 Jester Azores Challenge.

Full list of all the 2021 Awards here

Published in Cruising

Irish polar adventurer and boatbuilder Jarlath Cunnane has paid tribute to the pioneering skills of fellow sailor and multihull designer James Wharram, who died earlier this month at the age of 93.

Wharram, renowned for his Polynesian double-canoe style sailing catamaran designs, passed away on December 14th in Cornwall, Britain.

“Some multihull designers find inspiration on the screen of the computer,” Wharram said on his company website.

“ I find inspiration when I am s**t scared at the rapid approach of a huge white-capped wave. It is as if the adrenaline of 'how do I get out of this'? gets connected to 'how do I design my way out of this?," the Manchester-born sailor and designer explained.

Cunnane first met Wharram in the mid-1970s when one of his vessels limped into Achill Sound, Co Mayo requiring some repairs.

Tehini Tehini was on the round Britain race in 1974, skippered by Robert Evans and Maggie Oliver, when the beams broke. Robert limped into Achill sound, for repairs. Achill sound seemed like a good place as the chart showed a convenient railway! Wharram and some of his team arrived to help

His 51-foot catamaran design named Tehini, sailed by Robert Evans and Maggie Oliver was, was participating in the Round Britain race when several laminated cross beams broke.

“They had looked at the charts and noticed a railway link to Achill, which would be useful for delivering materials,” Cunnane recalled.

Wharram and several of his team arrived in Mayo to help.

Beams replaced on TehiniBeams replaced on Tehini

“I was his agent in Ireland at the time, he called me and we had a very interesting time rebuilding new beams which had gone rotten over a period of about two weeks,” Cunnane said.

Wharram, who crossed the Atlantic in his home-built vessel and undertook many other voyages with his partners Ruth Merseburger and Jutta Schultze-Rohnhof, kept in touch with Cunnane.

He moved from Milford Haven to New Ross, Co Wexford for a period to set up his boatbuilding and design business there, but returned to England.He had previously spent some time living aboard in Dun Laoghaire harbour, after he returned from a Caribbean voyage.

“Wharram always had several female partners,” Cunnane recalled. “ It was part of his approach to being somewhat different. And he credited them in helping him with his business.”

“He was from an era when people used to build boats – and he supplied designs for self-built models – whereas now people just go off and buy them,” Cunnane explained.

“I built one of his catamarans for myself and eventually sold it on, and followed his practise of giving Polynesian names to all his vessels,” Cunnane said.

“Wharram was an amateur designer with no formal qualifications, but his Dutch partner Hanneke Boon brought it to a new level with him, improving many of his designs,” Cunnane said.

Wharram is said to have hated the word “catamaran”, as recorded by Sam Fortescue in an interview with him for Sail magazine.

Fortescue explained that while studying construction engineering like his father, Wharram had read Eric de Bisschop’s book about building a Polynesian double canoe Kaimiloa which he then sailed from Honolulu to Cannes in France in 1936-37.

“Using the model of a fishing canoe in the British Science Museum and de Bisschop’s scant descriptions, he built the 23ft 6in catamaran Tangaroa in his parents’ garden in Manchester, miles from the sea. His father was dismayed,”Fortescue wrote.

Friends helped to drive Wharram’s two hulls some 200 miles away to Brightlingsea on the English east coast of England. and he sailed to Emshaven, Germany, to collect Ruth and Jutta.

“After that he aimed to cross the Atlantic, proving the seaworthiness of his primitive craft and validating the designs of the ancient Pacific islanders.

“I only ever became the ‘great James Wharram,’ through the auspices of these two German women,” Wharram told Fortescue.

. “Effectively, I’d say that in attitudes I’m post-war part German. The Germans really pioneered oceanic multihull cruising in the ‘50s, notably with the Schwarzenfeld brothers, who built in steel. I was just the fourth of about five at the time,”Wharram added.

When Wharram and the two women sailed to Trinidad, a local newspaper sensationalised the relationship – at this point, Jutta was pregnant. They lived on board a houseboat, and when it was destroyed in a storm they built a new boat with American friends and French sailor Bernard Moitessier.

The new vessel was named Rongo,after the Polynesian god of cultivation. They then set sail for New York via the Virgin islands and found that the north American sailing community was more open to the concept off ocean going multihulls than the British sailing establishment. A third of his orders for over 10,000 craft are said to have come from north America.

Cunnane recalls that Wharram relished being an outsider, but was also critical of this lack of acceptance by the British sailing “elite”. He and Hanneke Boon took his most ambitious design, the 63 ft Spirit of Gaia, built in 1992 around the world.

The couple sailed Spirit of Gaia to the Pacific to research traditional sailing craft in 1995, and found a 200-year-old canoe with the same V-hull design on the island of Tikapia.

In 2008-9, when Wharram was 80, the couple undertook the “Lapita” voyages, aiming to prove settlers could have reached the Pacific islands from southeast Asia, As Boon told Sail magazine, they discovered a simple double canoe could complete the voyage, sailing to windward with “crab-claw sails”.

In April 2018, Wharram received that “establishment” recognition in his home country when he was presented with a Classic Boat “lifetime achievement” award as pioneer catamaran builder, sailor and multihull designer in the Royal Thames Yacht Club in London.

Rob Peak, the editor of Classic Boat, recalled in his speech how, in 1956, Wharram made the first successful Atlantic crossing in a multihull – “the 23ft 6in (7.2m) Tangaroa, which he designed and built himself for £200 and sailed with two German girls”.

“ In 1959 they were the first to cross the North Atlantic from West to East (New York to N. Wales) in a multihull, the 40ft catamaran Rongo, built in Trinidad. Since then, he has sold more than 10,000 of his plans for cruising multihulls worldwide, and some consider him to be the father of modern multihull sailing,” Peak said.

“ More than that, James has always understood that sailing is not about expenditure. He has remained firmly wedded to his 'less is more' philosophy, always looking for simpler effective ways to build and rig his designs. What should be specially noted is his simple, but highly efficient Wharram Wingsail rig. He is 90 this year and shows no sign of stopping. He is, simply, a living legend," Peak said.

In Wharram’s own address on receiving the award, he said:

"Frank Lloyd Wright, the famous American architect was once asked how he achieved fame. He answered: " I lived longer than the others". Maybe being close to my 90th birthday and having survived most of my design competitors, is why I am standing here today to receive this Classic Boat 'Lifetime Achievement Award.”

"So, who were my competitors? In the design of multihulls, there have been three lines of development,” Wharram continued.

"Some multihull designers focussed on the narrow beam length ratio of the individual hulls to achieve 'speed', faster than the maximum speed of fixed ballast monohull yachts, due to their wave drag,”he said.

"Other designers used the raft configuration of the multihull to create comfortable floating villas, as an alternative to buying expensive coastal land for a villa by the sea,”he continued.

"I belong to a third group of boat-owners and sailors, summed up in poetry, as in: "I must go down to the sea again to the lonely sea and the sky". We 'dreamers of dreams' follow an essential part of the human psyche, either consciously or unconsciously,” he said.

"The development of early man has over the years been viewed from different perspectives. Until fairly recently, the view was of ‘Early Man the Great Hunter’, followed by women and children picking up their scraps,” Wharram said.

"However with more studies into human DNA and further archaeological finds, it is becoming clear that ‘Early Woman/Man’ followed coastlines and rivers where fish and shellfish was abundant and easily gathered. The making of watercraft must have been one of mankind's earliest skills. The first people to reach Australia, as early as 60,000 years ago, arrived there by some form of watercraft,” he said.

"This archaic affinity with the sea and watercraft is in the DNA of all of us, and I believe, leads us to want to own and sail our boats. Many of present-day sailing people are not interested in male competitive sports, they are not interested in a sea villa, they are moved by a deep instinct of our species to be on, or by, the water,” Wharram said.

"Throughout my life, beginning as a fell walker and pioneering catamaran sailor, I have been aware of this instinct and as a designer have tried to express it in my boats. Having sold over 10,000 designs, it does seem many of my builders connect with this,” he said.

"Classic Boat is a magazine that has always expressed the beauty of traditional watercraft and the love of being on the water in a beautiful boat. Over the years, I have enjoyed every issue and still keep them all, including number 1, on my overflowing library shelves,” he said.

"I am honoured to receive this Award from a magazine I value and admire,” he concluded.

Published in News Update

About Dublin Port 

Dublin Port is Ireland’s largest and busiest port with approximately 17,000 vessel movements per year. As well as being the country’s largest port, Dublin Port has the highest rate of growth and, in the seven years to 2019, total cargo volumes grew by 36.1%.

The vision of Dublin Port Company is to have the required capacity to service the needs of its customers and the wider economy safely, efficiently and sustainably. Dublin Port will integrate with the City by enhancing the natural and built environments. The Port is being developed in line with Masterplan 2040.

Dublin Port Company is currently investing about €277 million on its Alexandra Basin Redevelopment (ABR), which is due to be complete by 2021. The redevelopment will improve the port's capacity for large ships by deepening and lengthening 3km of its 7km of berths. The ABR is part of a €1bn capital programme up to 2028, which will also include initial work on the Dublin Port’s MP2 Project - a major capital development project proposal for works within the existing port lands in the northeastern part of the port.

Dublin Port has also recently secured planning approval for the development of the next phase of its inland port near Dublin Airport. The latest stage of the inland port will include a site with the capacity to store more than 2,000 shipping containers and infrastructures such as an ESB substation, an office building and gantry crane.

Dublin Port Company recently submitted a planning application for a €320 million project that aims to provide significant additional capacity at the facility within the port in order to cope with increases in trade up to 2040. The scheme will see a new roll-on/roll-off jetty built to handle ferries of up to 240 metres in length, as well as the redevelopment of an oil berth into a deep-water container berth.

Dublin Port FAQ

Dublin was little more than a monastic settlement until the Norse invasion in the 8th and 9th centuries when they selected the Liffey Estuary as their point of entry to the country as it provided relatively easy access to the central plains of Ireland. Trading with England and Europe followed which required port facilities, so the development of Dublin Port is inextricably linked to the development of Dublin City, so it is fair to say the origins of the Port go back over one thousand years. As a result, the modern organisation Dublin Port has a long and remarkable history, dating back over 300 years from 1707.

The original Port of Dublin was situated upriver, a few miles from its current location near the modern Civic Offices at Wood Quay and close to Christchurch Cathedral. The Port remained close to that area until the new Custom House opened in the 1790s. In medieval times Dublin shipped cattle hides to Britain and the continent, and the returning ships carried wine, pottery and other goods.

510 acres. The modern Dublin Port is located either side of the River Liffey, out to its mouth. On the north side of the river, the central part (205 hectares or 510 acres) of the Port lies at the end of East Wall and North Wall, from Alexandra Quay.

Dublin Port Company is a State-owned commercial company responsible for operating and developing Dublin Port.

Dublin Port Company is a self-financing, and profitable private limited company wholly-owned by the State, whose business is to manage Dublin Port, Ireland's premier Port. Established as a corporate entity in 1997, Dublin Port Company is responsible for the management, control, operation and development of the Port.

Captain William Bligh (of Mutiny of the Bounty fame) was a visitor to Dublin in 1800, and his visit to the capital had a lasting effect on the Port. Bligh's study of the currents in Dublin Bay provided the basis for the construction of the North Wall. This undertaking led to the growth of Bull Island to its present size.

Yes. Dublin Port is the largest freight and passenger port in Ireland. It handles almost 50% of all trade in the Republic of Ireland.

All cargo handling activities being carried out by private sector companies operating in intensely competitive markets within the Port. Dublin Port Company provides world-class facilities, services, accommodation and lands in the harbour for ships, goods and passengers.

Eamonn O'Reilly is the Dublin Port Chief Executive.

Capt. Michael McKenna is the Dublin Port Harbour Master

In 2019, 1,949,229 people came through the Port.

In 2019, there were 158 cruise liner visits.

In 2019, 9.4 million gross tonnes of exports were handled by Dublin Port.

In 2019, there were 7,898 ship arrivals.

In 2019, there was a gross tonnage of 38.1 million.

In 2019, there were 559,506 tourist vehicles.

There were 98,897 lorries in 2019

Boats can navigate the River Liffey into Dublin by using the navigational guidelines. Find the guidelines on this page here.

VHF channel 12. Commercial vessels using Dublin Port or Dun Laoghaire Port typically have a qualified pilot or certified master with proven local knowledge on board. They "listen out" on VHF channel 12 when in Dublin Port's jurisdiction.

A Dublin Bay webcam showing the south of the Bay at Dun Laoghaire and a distant view of Dublin Port Shipping is here
Dublin Port is creating a distributed museum on its lands in Dublin City.
 A Liffey Tolka Project cycle and pedestrian way is the key to link the elements of this distributed museum together.  The distributed museum starts at the Diving Bell and, over the course of 6.3km, will give Dubliners a real sense of the City, the Port and the Bay.  For visitors, it will be a unique eye-opening stroll and vista through and alongside one of Europe’s busiest ports:  Diving Bell along Sir John Rogerson’s Quay over the Samuel Beckett Bridge, past the Scherzer Bridge and down the North Wall Quay campshire to Berth 18 - 1.2 km.   Liffey Tolka Project - Tree-lined pedestrian and cycle route between the River Liffey and the Tolka Estuary - 1.4 km with a 300-metre spur along Alexandra Road to The Pumphouse (to be completed by Q1 2021) and another 200 metres to The Flour Mill.   Tolka Estuary Greenway - Construction of Phase 1 (1.9 km) starts in December 2020 and will be completed by Spring 2022.  Phase 2 (1.3 km) will be delivered within the following five years.  The Pumphouse is a heritage zone being created as part of the Alexandra Basin Redevelopment Project.  The first phase of 1.6 acres will be completed in early 2021 and will include historical port equipment and buildings and a large open space for exhibitions and performances.  It will be expanded in a subsequent phase to incorporate the Victorian Graving Dock No. 1 which will be excavated and revealed. 
 The largest component of the distributed museum will be The Flour Mill.  This involves the redevelopment of the former Odlums Flour Mill on Alexandra Road based on a masterplan completed by Grafton Architects to provide a mix of port operational uses, a National Maritime Archive, two 300 seat performance venues, working and studio spaces for artists and exhibition spaces.   The Flour Mill will be developed in stages over the remaining twenty years of Masterplan 2040 alongside major port infrastructure projects.

Source: Dublin Port Company ©Afloat 2020.